The XA10 was no slouch in the low light department so these should be great. They have a new sensor which promises an improved image, including in low light. I’ve been using the small, budget friendly XA10 for a while and the new XA25 (with HDSDI jack) and the XA20 (without SDI) look like huge improvements.įirst, they have a 20x lens instead of the 10x on the XA10. Well worth a visit for anyone doing video journalism.Ĭanon has announced two new siblings for the XA10 camcorder. The Video Now site that houses this report has a number of videos that give insight on the media properties they visited to produce the report. Stories should be up-to-the-minute fast, or deeply important.Īlso, instead of replacing photojournalists, train them to become better print and video reporters.
These unpolished videos should be posted instantly from the field.Ī second team of highly-trained video journalists should produce in-depth, more sophisticated video stories.Īvoid the in-between. Print reporters should shoot fast, raw iPhone clips to accompany their text. In your newsroom, have everyone shooting video, just not the same types of video. Length of video does not predict success.”
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That said, viewers will watch long videos - 10, 20, 30 minutes - or an entire series if the content is good enough. Videos don’t have to be short, but shorter videos tend to get more play. Those left in segregated “video” sections get ignored.” Videos posted with other media get more plays. Video should be embedded with other content, inside a blogpost, next to a graphic. Audiences don’t say “I want to watch news video.” They come for information on specific topics: Syria, Ukraine, Obamacare, sports. People consume news by subject, not by medium. They also made a series of recommendations for video production. It’s interesting that tablets seem to be the preferred medium for long-form video consumption. Most of the sites they surveyed are putting efforts into lightweight, reporter-shot immediately-posted news clips and also into high-quality, long-form evergreen documentary work, while doing less of the mid-range daily stuff. * There is no clear consensus on what works with video. * Vice and Frontline both attract large and young audiences – perhaps because they produce content that targets their audience? * Viral cat videos get traffic, as does long form in-depth video (which is consumed on tablets,) while the mid range filler that most sites produce may not be worth doing. * Most videos get modest traffic on news sites – 500-1,000 views. The reward for video is engagement and social sharing, and high CPM’s still don’t come close to covering the costs of production. * While most sites are investing more in video, the return on investment is still very low. Some of the take-aways from the report and the panel: Kathy Kieliszewski, Director of Photo and Video, Detroit Free PressĪndy Pergam, former Senior Editor, Washington Postĭuy Linh Tu, Tow Fellow, Professor & Director of Digital Media, Columbia Journalism Raney Aronson-Rath, Deputy Executive Producer, FRONTLINEĭanny Gawlowski, Photo/Video Editor, The Seattle Times
With that in mind, Video Now, set out to answer three main questions: 1) How do news organizations define video 2) How do they produce video? 3) What is their return on investment?”ĭuy introduced the report with a live panel discussion Monday night, April 14, which is replayed in the video above.
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Video is an important editorial tool and a potentially large revenue source for newsrooms, but there seemed to be no consensus on how to produce or profit from it.
Professor Duy Linh Tu and his crew put together a multimedia report by visiting newspapers, digital media properties, and shows like Frontline and Vice.įrom their description of the project: “From October 2013 until February 2014, Tow Fellow Duy Linh Tu and the Video Now film crew visited newsrooms across the United States to interview and observe reporters and editors producing video journalism. The TOW Center for Digital Journalism at Columbia Journalism School released a report today on the state of video journalism. What’s the status of video journalism in 2014?
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